Need dances, also called seduction dances, traditionally consist of five distinct phases.
1. A feigned indifference (sexually) to men/women, especially the ones you dance for - You are a slave and expected as a slave to dance.
2. Not yet taken sexually - the slave feels distress, uneasiness, restlessness, disturbance by sexual urges.
This disturbance must become subtly more manifest over time. Here it must be evident that s/he is beginning to feel his/her sexuality and drives, profoundly, and yet is struggling against them. Toward the end of this phase it must become clear not only that s/he has sexual needs, and deep ones, but that she is beginning to fear that s/he may not be, simply as s/he is, of sufficient interest to men to obtain their satisfaction. Here, need, coupled with anxiety and self-doubt, for s/he has not yet been seized and taken by a free man or woman, must become clear.
3. In a prim, proper fashion, the slave acknowledges before masters/mistresses
that s/he is defeated in the attempt to conceal his/her sexuality, but is concerned that s/he may not be sufficiently pleasing, s/he must strive to be pleasing or face spending another night chained in her/his kennel, unable to obtain relief by touching him or herself.
The slave delicately but clearly, with restraint, but unmistakably, acknowledges, and publicly, before the free, that s/he has sexual needs. Then, with smiles, and gestures, displaying him/herself, s/he makes manifest his/her readiness for the service of men and women, his/her willingness, and his/her receptivity. S/he invites them, so to speak to have him/her.
4. Animalistic heat - In this phase of the dance, the slave, frustrated and frightened by his/her inability to sufficiently seduce the master or mistress, discards any pretense of being proper or demure. With increasing levels of graphic (but still TASTFUL! This is slave dance, not pornography!) displays, the slave shamelessly dances his/her need and begs for sexual satisfaction.
5. Heat of the Slave - The slave dances dramatically and excitingly, In this phase the slave, overcome by sexual desire and terrified that s/he may not be found sufficiently pleasing, clearly manifests that s/he is a slave, and utterly so. In this portion of the dance the slave is seldom on his/her feet. Rather, sitting, rolling, and changing position, on his/her side, his/her back, his/her belly, half kneeling, half sitting, kneeling, crawling, reaching out, bending backwards, lying down, twisting with passion, gesturing to his/her body, presenting it to the free for their inspection and interest, whimpering, moaning, crying out, brazenly presenting his/herself as a slave, pleading for his/her taking, s/he writhes, a piteous, vulnerable, ready slave, a creature fit and begging for the touch of a master or mistress, a beast desperate to become, at the least touch of his/her master, a totally submitted slave.
Nearing the end of the dance the slave may pause, awe struck by the patrons' interest. The slave might then stand and bow, or freeze in place, seeking the approval of the patrons of the tavern or inn as the dance's conclusion.
Whatever you do, make sure they know it is the end of the dance.
[center]Examples of Need Dances[/center]
The Pole Dance
The pole dance is one of beauty and of grace done with or without the pole, one can use an imaginary pole, refer to it in the dance or simply use the regular pole which is in the sandpit of most inns or paga taverns. There are the following items that should be included in your dance:
• Your body movements mean a lot, keep yourself focused on the way you move, each muscle trained for such a task.
• (Phase 1) In the pole dance usually in the beginning you feel the caress of the whip, your body would jerk and react as if being whipped.
• (Phase 2) You find yourself at the mercy of the master/mistress doing the whipping. You would show your ability to please the person by dancing seductively for them using your body to show your desire to please.
• (Phase 3) At some point you begin to bring the dance to a climax of fast movements the music rises, you begin to dance hard and fast using the pole for your desire to please or your need for the master/mistress attention and approval.
• (Phase 4) You finally end the dance showing your need for attention, approval of the Masters/Mistresses, your sexual need increases, you worship the pole.
• (Phase 5) In the end of the dance, generally you do not use the pole, you would end at the foot of the master/mistress or in the sand away from the pole
Belt Dance
Called the belt dance because the dancer doesn't stand during the dance and is never above the belt of the warrior, except perhaps, at the very beginning.
This dance is done with a warrior. Either an imaginary or an actual warrior may be used, however, this person needs to act with you if you choose to do this dance with another person, so you will have to practice with him or her if they are not already very familiar with this form of dance.
This dance shows the need of the dancer to have the warrior take her and use her sexually. The following should be used in the dance:
• At the beginning of the dance, simple submission is shown, but no arousal or true desire to please. Usually a slave is being whipped, so you should move your body as though feeling the whip.
• The next stage shows the slave as being willing to submit directly to the warrior, but still resisting any feelings of desire.
• Now, you show your need to be used sexually by the warrior, how your body needs to have him/her notice you, and your desire to have them sexually.
• As in all stages of slave dance, you will build your crescendo - Your body needs to be satisfied and your desire is great to be seen and be used.
• In the final stage you touch the warrior, begging to be used imploring s/he take you and use you, at the very end the warrior will touch you hold you and finally kiss you deeply, accepting your offers and pleas.
• As usual, at the end of the dance the warrior and the slave await approval for the dance.
Dance of Seduction
This dance, like all need dances, shows the need of the slave to be taken and used sexually by the master/mistress, it is a good dance for male or female slaves. This is usually done in front of the specific master/mistress you wish to please you, not in the sand or center of the room. The following should be used in the dance:
• This dance is usually performed nude. You may either start out that way, or remove your silks/slave garments in the beginning of your dance, your choice.
• In the beginning, you are reluctantly making yourself ready for display and/or use. You are not "into it" and are only doing so because you have been commanded. Perhaps you fear the whip if you disobey. Your movements may be choppy, automatic, unimaginative and showing a lack of enthusiasm.
• Now you are starting to show your need to be used. It is important to start with showing your desire to please, preen yourself, make yourself desirable, perhaps look into a mirror (real or imaginary) and check your hair or cosmetics.
• The next stage is to show your willingness to flaunt your body to the master/mistress. Touch your body, make them notice you and your starvation of pleasure, how lonely you are for a touch or a look of approval.
• You want to build to this point from the previous motions. In this stage you are trying to show how much your body desires touch. You then begin to beg for a touch or a look. They will look, you will respond.
• The next stage is the crescendo. Once again your music is lively. You noticed them look at you, you show your desire to please and your motions inticate the pleasure you will give them, if they will only allow it.
• The final stage is one of total submission. You must show your submission by ending your dance with the kissing of the foot/sandal/slipper/boot/ of the one for whom you danced, keeping your body to the floor. You may touch their leg from the knee to the foot, but no higher. You are grateful for the attention the master/mistress has given you, you are now ready to be used sexually, and you submit your body. You generally don't look at them at all, save for daring a well placed pleading look here and there, mainly keeping your eyes down.
You may then remain silent or speak your submission. (ie: "Master/Mistress, this most unworthy one submits her/his body for your pleasure", or some such)
Dance of the Seven Veils
In this dance, you wear seven different coloured veils. You may choose the colours you will use, but the sequence of taking the veils off is very specific.
When done, you will be nude. You may start in the sand pit or the tiles, but during the course of the dance, you will seduce everyone in the room by dancing just for them, going around the room for all the free, perhaps giving a veil to a master or mistress.
It is a nice touch to name each master/mistress you dance before as you do so.
Be seductive in your dance as you take each veil off, describe how you do it, and who you do it to. It is not necessary to take each veil off in front of someone, but at the end of the dance you should be in front of a master or mistress, offering yourself nude for their pleasure. The following should be used in the dance in this order:
• The first veil to be taken off should be the veil holding your hair back or the around your head as a head band. This veil is usually a dark color. You should show an attitude of indiffernce or, perhaps, boredom. You see no reprecussions for removing such an inconsequential covering.
• The second veil is the left thigh, tied so that it resembles a loose trouser leg. This veil is usually a red color.
This begins the second phase. You know you are taking a risk in displaying more of yourself, but are still in denial of what you truly want.
• The third veil is taken off the right thigh. It is usually a medium color such as a green or light green.
• The fourth veil is removed from your lower body. It is generally a lighter blue and its removal will reveal the darkest veil, which is covering your groin and buttocks. This begins the third phase of the need dance. You are baring some of your body, but still keeping your face, chest, genitals and buttocks covered, as though denying your true sexuality, despite your obvious, growing need.
• The fifth veil to be removed is the one covering your face and lightly draping your chest and throat, over the veil that covers your breasts or chest. This should be a meduim-dark colour. You are entering into the fourth phase, desperate to be found worthy and beginning to feel the animalistic, raw and primal sexual urges
• The sixth veil is covering is wrapped tightly around your chest, covering your pecs/breasts. This should be a light colour. You are fully in the throes of desire and lust, and have lost any inhibitions, intent only on finding release for your wild urges.
• The last veil is obviously covering your genitals. For this, you should be on your knees, possibly leaning backward with your legs under you, your hips thrusting upwards as you unwrap the small skirt or loincloth/covering to display your full nakedness. You are not only fully uninhibited, but know yourself utterly a slave, completely at the mercy of the free and begging for their touch in absolute submission.
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